mine kentridge – William Kentridge – Kunstmuseum Basel

Mine is Kentridge’s third film, although it is often shown by the artist as second in the series, before Monument (Tate T07483). It was made from eighteen drawings and is set to Dvorak’s Cello Concerto in B minor, Opus 104. In it, Kentridge develops the analogy between landscape and mind begun in the earlier films. A journey into the mines

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19.05.2013 · This is „Mine – William Kentridge“ by ggggggggui on Vimeo, the home for high quality videos and the people who love them.

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From The Broad Collection: William Kentridge, Mine, 1991, 16mm animated film, The Broad Art Foundation. William Kentridge’s multidisciplinary art practice includes drawing, animation, books, printmaking, collage, performance, and installation. To make his films, Kentridge developed a unique, labor-intensive process in which he erases and alters a single drawing while recording the changes

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19.11.2017 · Mine (1991)/Шахта режиссер: Кентридж Уильям / Kentridge William.

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Print text: Enlarge Image with caption. Mine 1991 Animated films 96-34-2, museum purchase (5 min. 49 sec.) b. 1955, South Africa William Kentridge received a degree in political science and African studies, which informs his work as an artist.

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The Mine metaphor in the work of William Kentridge Johann Oppermann Department of Examinations, Admin 2-43, University of South Africa, PO Box 392, Pretoria, 0003 Abstract This article discusses how Kentridge’s drawings for his film Mime explore the borders between memory and amnesia, drawing and erasure. His drawings reflect a rich record and

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16.10.2015 · An excerpt from „Mine“, 1991, William Kentridge, in the newly opened Broad Museum, Los Angeles Brand New Contemporary Art Museum – The Broad Museum in Los An

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I am not me, the horse is not mine is an installation of eight film projections by South African artist William Kentridge. The eight films, which are described as ‘fragments’, are

William Kentridge (born 28 April 1955) is a South African artist best known for his prints, drawings, and animated films.These are constructed by filming a drawing, making erasures and changes, and filming it again. He continues this process meticulously, giving each change to the drawing a quarter of a second to two seconds‘ screen time.

Born: 28 April 1955 (age 64), Johannesburg

Leben. Kentridge wuchs in Südafrika auf. Seine Eltern vertraten als Rechtsanwälte vor allem Schwarze in Gerichtsprozessen während der Apartheid.Seine Mutter Felicia Kentridge war Mitbegründerin des Legal Resources Centre, sein Vater Sydney Kentridge unter anderem Verteidiger im Treason Trial.William Kentridge studierte in Südafrika und Europa, stellte Kunst in Galerien aus und arbeitete

18.12.2012 · Poems I Used To Know/ I Am Not Me The Horse Is Not Mine – William Kentridge (Part 2) – Duration: 21:45. Jnanapravaha Mumbai 312 views. 21:45. The

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While the British mines on the first day of the Somme were an undoubted success for the tunnellers who had built and maintained them, their value for the advancing infantry was questioned: The nineteen mine craters, in which so many soldiers were trapped and killed by the German machine-gunners, became a hated feature of the battlefield.

Die Ausstellung „Mine” zeigt Filme und Videos von Künstler_innen aus Südafrika. Der Titel spielt sowohl auf den Untertagebau in den südafrikanischen Minen an, als auch auf das „Abtragen“ verschiedener Schichten und Facetten des eigenen „Selbst“.

02.04.2010 · Episode #100: With his video „History of the Main Complaint“ (1996) serving as a backdrop, William Kentridge discusses how artists draw upon tragedy as subject matter for their work and how

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Learn about The Broad Collection artist William Kentridge. William Kentridge uses drawings to create films. In his works, unlike in traditional animation that employs multiple drawings to denote change and movement, Kentridge erases and alters a single, stable drawing while recording the changes with stop-motion camera work.

Es sind Bergleute, die in den von den grossen Bergbaugesellschaften verlassenen Minen rund um Johannesburg auf eigenes Risiko und unter Zuhilfenahme primitivster Werkzeuge weiter nach Goldresten schürfen. Für Kentridge ist es ein Beispiel einer Gewichtsverlagerung von vorgegebenen ökonomischen Strukturen hin zu einer immer bedeutender

South African artist William Kentridge’s video installation I am not me, the horse is not mine to be showcased in the Tanks at Tate Modern in the UK for the first time, 11 November 2012 –

20.07.2015 · William Kentridge exhibition ‚If We Ever Get to Heaven‘ at Eye Amsterdam This recording is a part of „More Sweetly Play the Dance“ 20150720 using my Lumia 520 phone as camera William Kentridge

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A journey into the mines provides a visual representation of a journey into the conscience of Kentridge’s invented character, Soho Eckstein, the white South African property owner who exploits the resources of land and black human labour which are under his domain. Throughout the film the imagery shifts between the geological landscape underground inhabited by innumerable black miners and Soho

William Kentridge’s work has been seen in museums and galleries around the world since the 1990s, including Documenta in Kassel, Germany (1997, 2003, 2012), the Museum of Modern Art in New York (1998, 2010), the Albertina Museum in Vienna (2010), Jeu de Paume in Paris (2010), and the Musée du Louvre in Paris (2010), where he presented Carnets d’Egypte, a project conceived especially for

Exhibition. Feb 24–May 17, 2010. This large-scale exhibition surveys nearly three decades of work by William Kentridge (b. 1955, South Africa), a remarkably versatile artist whose work combines the political with the poetic. Dealing with subjects as sobering as apartheid, colonialism, and totalitarianism, his work is often imbued with dreamy, lyrical undertones or comedic bits of self

The exhibition consists of approximately 45 landscape drawings, mainly made from mining landscapes around Johannesburg. The drawings are made on the pages of an old cash book from East Rand Proprietary Mines from 1906 (with a few from other mine ledgers), in which the text under the drawings, either covered or glimpsed, is an important part of the history of the drawing.

Josephine Halvorson shares the on-location California-spanning saga behind her 2011 painting Mine Site, and just as significantly, the painting she wasn’t able to make at that location.

Kentridge has commented: ‚Felix in Exile was made at the time just before the first general election in South Africa, and questioned the way in which the people who had died on the journey to this new dispensation would be remembered‘ (William Kentridge 1998, p.90). In this film Nandi’s drawing could be read as an attempt to construct a new

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Mine is Kentridge’s third film, although it is often shown by the artist as second in the series, before Monument (Tate T07483). It was made from eighteen drawings and is set to Dvorak’s Cello Concerto in B minor, Opus 104.

5adf36d04bf4f81d13d98b8e_3_Kunst & Kohle_William Kentridge, Mine, 1991© William Kentridge klein-p-2000

Search the Tate website. William Kentridge Johannesburg, 2nd Greatest City after Paris

Sir Sydney Kentridge KCMG, QC (* 5. November 1922 in Johannesburg) ist ein ehemaliger südafrikanisch-britischer Rechtsanwalt und Richter.Er war gegen die Apartheid eingestellt. Unter anderem verteidigte er im Treason Trial Ende der 1950er Jahre Nelson Mandela und vertrat 1977 die Familie Steve Bikos in der gerichtlichen Untersuchung zu dessen Tod.

The Head & The Load – William Kentridge, Philip Miller, Thuthuka Sibisi, Gregory Maqoma, The Knights. „The head and the load are a trouble for the neck“ / „Des Nackens Leid sind Kopf und Last“, sagt ein altes Sprichwort aus Ghana, von dem William Kentridge den Titel für

Mine (1991) by William Kentridge. drawing by William Kentridge. This gallery is from. The Forum — Lines. How a spark of inspiration is transformed into a line on canvas or a line of verse. BBC

About this artwork Currently Off View Contemporary Art Artist William Kentridge Title Mine Origin South Africa Date 1991 Medium 16mm color film, sound, transferred to digital video (projection); 5:49 min. Edition number five of ten

William Kentridge – Mine 1991quotMine is Kentridge39s third film, although it is often shown by the artist as in the series, before Monument Tate T07483. It was made from eighteen drawings and is set to Dvorak39s Cello Concerto in B minor, Opus

His drawings reflect a rich record and leave traces of the animation processes of drawing and erasure. Kentridge portrays in this film a day in the life of the mines with the Johannesburg mine magnate, developer and industrialist, Soho Eckstein, as the main character, his wife, Mrs. Eckstein and Felix Teitlebaum, her lover.

From Performa, William Kentridge, William Kentridge, I Am Not Me, the Horse Is Not Mine, a Performa Premiere. (2009)

William Kentridge. Video still from Mine, 1991. 16mm film transferred to video. 5 minutes, 49 seconds. Courtesy of the artist and Marian Goodman Gallery, New York/Paris. Mine (1991) was created as the third of the Drawings for Projection, following Johannesburg, 2nd Greatest City after Paris (1989) and Monument (1990).

19.08.2012 · William Kentridge will hold is first large-scale solo travelling exhibition in South America starting October this year. This extensive retrospective – conceived in close collaboration with the artist and designed especially for this tour in Brazil and other countries in South America – will highlight Kentridge’s unique artistic process rather than focus on a particular theme.

25.04.2013 · Unlike Kentridge’s other animation films, Mine differs in that it presents a vertical cross-section of a mine. A lift carries the workers up the mining shift, out onto the land, which is metamorphosed into Soho’s bed. The film constantly shifts from below to above and vice versa to portray the contrasting surroundings and situations.

i’ve grown roses in this garden of mine. goodman gallery london 3 october – 30 october 2019. ghada amer · el anatsui · broomberg & chanarin · kudzanai chiurai · nolan oswald dennis · david goldblatt · gabrielle goliath · haroon gunn-salie · kudzanai-violet hwami · alfredo jaar · william kentridge · grada kilomba · kapwani kiwanga · gerhard marx · misheck masamvu · shirin

Cherry Mine: Oakdale Allegheny PA: Coal (Bituminous) View Details > Cherry No 1 Mine: Nicholas WV: Coal (Bituminous) View Details > Cherry Pit: Yavapai AZ: Construction Sand and Gravel: View Details > Cherry Pond Surface No 1: Whitesville Boone WV: Coal (Bituminous) View Details > Cherry Ridge Pit: Arnot Tioga PA: Construction Sand and Gravel

This is „Kentridge_ Mine.m4v“ by Goodman Gallery on Vimeo, the home for high quality videos and the people who love them.

View William Kentridge Research Papers on Academia.edu for free.

William Kentridge: Johannesburg, 2nd Greatest City after Paris, ( 1989) William Kentridge: Mine, ( 1991) William Kentridge: Sobriety, Obesity & Growing Old, ( 1991) William Kentridge: Stereoscope, ( 1999) Diese Person wird vermittelt in: Maria Anna Tappeiner, Reinhard Wulf: Kinomagazin: William Kentridge. Drawing the Passing – Zeichnen für den

From EYE Filmmuseum Amsterdam, William Kentridge, I Am Not Me, the Horse Is Not Mine (2008)

Challenge ideas, create solutions and manage performance to help our clients achieve best-practice resource recovery, increase productivity and optimise cash flow.

William Kentridge was born in Johannesburg, South Africa, in 1955. He attended the University of the Witwatersrand, Johannesburg (1973–76), Johannesburg Art Foundation (1976–78), and studied mime and theater at L’École Internationale de Théâtre Jacques Lecoq, Paris (1981–82).

For those who can get to the Tanks at Tate Modern, there is still just time to catch South African artist William Kentridge’s I am not me, the horse is not mine (2008) which closes on Jan 20th. This eight-channel video installation, in the UK for the first time, sits in

William Kentridge (born 28 April 1955) is a South African artist best known for his prints, drawings, and animated films.These are constructed by filming a drawing, making erasures and changes, and filming it again. He continues this process meticulously, giving each change to the drawing a quarter of a second to two seconds‘ screen time.

Kunst – William Kentridge und die Nase von Gogol. Verspielt, universal, politisch – das ist die Arbeit des Künstlers William Kentridge. Virtuos versteht er es, ernste Themenkomplexe spielerisch

The publication I Am Not Me, The Horse Is Not Mine (a Russian peasant expression used to deny guilt) is published by the Goodman Gallery, and contains a series of essays lecture notes, lecture extracts and commentary by William Kentridge on the eight films and performance event that was first presented to international acclaim at the Sydney Biennale, 2008.

This interest in the delusions inherent to idealism is also found in his I am not me, the horse is not mine (2008), a project born out of Kentridge’s 2009 take on Shostakovich’s rarely performed opera The Nose. Combining video and installation with a lecture-like filmic performance, the artwork is an elegy for Russian Modernism in the face of political upheaval, the rise and fall of the

A journey into the mines provides a visual representation of a journey into the conscience of Kentridge’s invented character, Soho Eckstein, the white South African property owner who exploits the resources of land and black human labour which are under his domain. Throughout the film the imagery shifts between the geological landscape underground inhabited by innumerable black miners and Soho

Video Clip: William Kentridge MINE (1991) South African political commentary

Performance program. Mar 4, 2010. In this solo performance, South African artist William Kentridge (b. 1955) combines narration, video projection, and a vocal and instrumental soundtrack. Part lecture, part theatrical monologue, part installation, I am not me, the horse is not mine is based on the absurdist short story The Nose (1837), by the Russian writer Nikolai Gogol, which follows the

William Kentridge, Drawing for the Refusal of Time: Anti-Entropy -, 2011. William Kentridge, I Am Not Me, The Horse Is Not Mine, 2008. William Kentridge, Remembering the Treason Trial, 2013.

Das Museum Haus Konstruktiv zeigt neben der gross angelegten Videoinstallation «I am not me, the horse is not mine», die u.a. 2012 in der Tate Modern in London zu sehen war, bisher kaum bekannte Zeichnungen, Druckgrafiken, Malereien, Skulpturen und Tapisserien. Kentridge selbst bezeichnet den Werkkomplex als Elegie auf die künstlerische

Accounts and Drawings from Underground – The East Rand Proprietary Mines Cash Book, 1906 (Africa List) | William Kentridge | ISBN: 9780857422057 | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon.

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Kentridge firmiert im diesjährigen „Kunstkompass“, der als Ruhmesbarometer der Welt der Bildenden Künstler gilt, auf Platz 8 der zehn weltweit bedeutendsten Künstler. Im Zentrum seiner Präsentation steht die 8-teilige Videoinstallation „I am not me, the horse is not mine“, die zuvor u.a. in der Tate Modern in London gezeigt wurde.

In addition to the large-scale video installation “I am not me, the horse is not mine”, which has previously been shown, for instance, at London’s Tate Modern in 2012, Museum Haus Konstruktiv is also exhibiting a number of little-known drawings, prints, paintings, sculptures and tapestries. Kentridge himself describes this work-complex as an elegy for the artistic language of the Russian

Ab 29. Oktober 2010 zeigt die Albertina die Ausstellung William Kentridge: Fünf Themen, einen umfassenden Überblick über das Werk des zeitgenössischen südafrikanischen Künstlers.Die gemeinsam mit dem SFMOMA und dem Norton Museum of Art in West Palm Beach, Florida, veranstaltete Schau präsentiert mehr als sechzig Werke in unterschiedlichsten Medien wie Animationsfilme, Zeichnungen